If you can find the humor in physics and Paris Hilton, for example, you're well on your way. Broaden your horizons so that you are tuned-in regardless of who you're speaking to.Whatever the material, though, it also needs to resonate with your audience, meaning that your concise ability to deconstruct a 17th century poem might not hit its mark with somebody not familiar with the piece! It is much easier to find funny moments in material you know well – your workplace attitudes, your amazing knowledge of 17th century poetry, your familiarity with fishing trips that went wrong, etc.
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Don't worry, you'll have plenty of opportunities to crack through the silence with your whip of a wit.īroaden your factual knowledge for joke material. The worst you can do as a funny person is try to deliver a joke after your window of opportunity has passed. If the timing is all wrong, don't mess with the joke.For example, your friend is thinking about hair, for some reason, and he says: "Isn't it weird that we only have hair on our heads and in our pubic areas?" The friend is not really even expecting a response. Your humorous statement needs to come out quickly and fully-formed. And you whip back with something that makes what they said really funny. Someone says something that, by itself, isn't funny. One liners, or comebacks, can be good fun.React quickly and strike while the humorous moment exists. This is probably why jokes people have heard before don't work, as recognition dulls the humor because the brain is already primed by experience. Good timing is really important, because if you give the brain too much time to work out a situation or joke, the funny moment will pass by.
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